While out and about, I will sometimes encounter a person on the
street walking their Rottweiler and after inquiring about the
dog’s background the owner most often adds "I bought it as a
show dog, but decided not to show it. Not wanting to burst the
owner’s bubble, mentally I will conclude the dog was never
intended to be of show quality, and for all concerned I let the
owner remain with the fantasy. Thinking about this particular
problem, I thought it appropriate to discuss and define what
exactly is, a show dog.
Many new exhibitors in their zeal to purchase a show dog can be
easily confused by breeders and or, sold a bill of goods as to
the attributes, the "show-ability" of the pup they have just
bought. How useful a tool it would be if we all had a template
by which to define and measure what a show dog is before we put
money down to buy one.
A variety of strange things occur to dog and owner on the way to
the show ring. Sometime, somewhere down the road the show
specimen which came with a high price tag turns out not a show
dog at all, but merely a nice family pet. Is there a way to
prevent this from happening? Not completely, since things which
are made of flesh and blood don’t always turn out the way we
want. Nonetheless, a new prospective buyer, or even a old
prospective buyer can profit with a solid definition to work
from.
The problem lies in the semantics of the definition. What one
person calls a show dog may not be the same for everyone and
because there is no actual definition of a show dog out in the
field, the following occurs:
1.The breeder is a novice and has not yet
developed the skills to pick a potential show pup from the
litter. The new litter is from two champions, therefore the
novice thinks success is guaranteed and calls them all show
dogs.
2.The new owner has little skills and has not yet formulated a
definition of what a show dog is.
3.There is a percentage of hungry handlers that will parade an
unworthy dog in the show ring, get it points, even a
championship, from judges who are friendly.
We’ve all been at ringside and noticed on
occasion ( I think lately with more frequency) a dog or bitch
that a handler or owner is representing as a show specimen, but
in reality is no more than a family pet. I believe this happens
with honesty and a sincere wish to make it a champion, however,
few will step up and tell the owner the show dog which they paid
"bucks-deluxe" for is not a worthy specimen for the competition
ring. The actual responsibility is not for the spectators to say
what is or is not a show dog, the place and time for this
decision is in the ring with the judge. It is the judge’s job to
excuse, for lack of merit, any specimen which does not measure
up to the standard. Unfortunately few judges will do this
seemingly dirty deed because they either don’t want to make
waves, just don’t know, or even care.
I had argued this very point a while ago on an internet chat
room and requested the definition of a show dog from the people
on the subscriber list. The answers I got were somewhat
surprising. Some refused to make any commitment towards a
definition at all, yet a few specified that "a show dog is a dog
which has no disqualifying faults".
This to me is a flimsy and very liberal interpretation of what a
show dog is since many, many dogs could easily fall into this
category, yet in my opinion, never do well under a knowledgeable
judge. Here is my definition:
A show dog is a dog that exhibits the following qualities:
1. No disqualifying faults, according to
the standard.
2. Possesses breed type.
3. Faults are minor in nature and would be defined as
"could use more of" rather than "lacking in".
4. Show attitude, a willingness to perform under pressure
of the show ring.
5. Can place in the ribbons in any show, under any judge
at least four out of seven times.
6. Has balance.
Let’s examine in more detail the above points
since I don’t want to be misleading or vague on any of them. As
for point number one I don’t think there needs to be any
discussion about a show dog being required not to have any
disqualifying faults, as by definition it would eliminate the
dog from competition.
2. Possesses breed type.
Type, to me, is the paramount attribute I look for when
selecting a pup or adult as a show dog. It is prerequisite, the
characteristic which makes it stand out as a representative of
the breed, what a judge looks for. Admittedly, few breeds have
such high requirements to pass as show dog like that of the
Rottweiler.
A dog cannot be competitive if it lacks overall breed type*(see
end of article). A pup or adult must possess: a correct
Rottweiler head piece, dark eye, correct dentition, dark gums,
good bone strength, correct short back, good color of markings,
correct Rottweiler gait, overall balance, and in that order of
importance. Without all these important ingredients together it
may do reasonably well in the show ring, win some ribbons, even
become a champion, but will never climb to the top of it’s class
without them.
I have seen many successful show careers based on a single
aspect of the dog, be it a great head piece, excellent movement,
good top lines. Yes, these dogs did possess a great single
attribute, but under closer inspection were in need of other
important aspects to complete balance.
The single attribute problem can be observed in the "specials"
class. After the dog/bitch has become a "Champion" the owner now
embarks on the campaign trail to promote their new champion.
However, sometimes after viewing the specials class we observe
there was nothing special in it.
3. Faults are minor in nature and would be defined as "could
use more of" rather than "lacking in"
In the area of structure the prospective show pup or adult can
not have outstanding construction problems since possessing a
major fault would render it unworthy for the show ring. Faults I
would consider major and render it noncompetitive as a show
prospect are: easty-westy, out at the elbows, fiddle front,
weak, strongly bouncing topline, hocky, sickle hocked, steep
sloping croup, splay feet, inadequate angulation, roached back.
Structural faults I would consider minor are: slightly soft
pasterns, moderate sloping croup, slight softness in top line,
slightly turned out at pasterns, moderate angulation,
barrel-chested, elbows standing a bit away from chest, ect..
Another area which I think demands attention are the so-called
"cosmetic and or type faults". I’m not sure where the term
"cosmetic faults" came from since it implies something which can
be removed easily. I have heard it used many, many, times and
frankly I think inappropriately used to rationalize almost every
fault under the sun. Having seen quite a few show pups which
have had a structural fault, I often hear the owner/breeder
minimize by calling it cosmetic, nothing to worry about. A
panacea excuse for many problems incorrect.
A cosmetic fault to me is a fault that can be improved upon,
easily, in the next generation. Lightness in gums, mottled gums,
lightness in markings, sooty markings, coarseness in coat, too
fine in coat, these can be improved upon in the next generation.
A type fault is a fault which diminishes the overall look of the
breed. Narrow skulls, long muzzles, light eyes,( I have also
overheard many say that eye color is merely a cosmetic fault, on
the contrary, dark eye color is so fundamental to breed type,
light eyes should never be considered cosmetic.) long backs,
long on leg, too short on leg, pink gums, narrow snipey muzzles,
spindly bones, no fill under eyes, shallowness in chest, these
are type faults, serious in nature and should be avoided with
zeal.
Any structural fault which has manifest itself in the bones
takes many generations to improve upon and should also not be
considered cosmetic.
4. Show attitude, a willingness to perform under pressure of
the show ring.
Every show dog must have a an "up and ready" attitude, a
willingness to perform, since without this key ingredient why
bother? Even if a show potential pup or adult were to be
flawless in structure and type, how unexciting the dog would be
if it entered the show ring and exhibited an attitude with ears
down and no expression.
I was told many years ago the best show dog was one that may
have a few faults which were somewhat undesirable, but could
compensate for this inadequacy with "fire and pizzaz"!
Always remember the show ring is a competition, therefore
attitude and posture is a good percentage on what a dog is going
to be judged. Most dogs don’t have that special attitude which
separates them from the others, but on occasion it is abundantly
evident with certain prospects.
5. Can place in the ribbons in any show,
under any judge at least four out of seven times.
How, you may ask, did I arrive at 4 out of 7? It is understood
that even the best dog will not win every show or place under
every judge. Even the great race horse Secretariat lost a race
now and then, so I allowed for this possibility by giving it a
reasonable 4 out of 7.
But after reading # 5 you may also ponder and say "what does
this have to do with the qualifications of a show dog, or
perhaps you may think it too demanding a request. Either one, I
feel it is integral to the definition, let me explain.
Placing in the ribbons is vital to my "definition of a show dog"
because it spells out the dog’s function, it’s purpose. Why buy
a show dog if it cannot fulfill it’s job in the show ring? Why
buy a race horse if it isn’t competitive? (some do buy show dogs
just to say they are the owners of one, but that is material for
another article). In order for it to be called a show dog,
should it not win or at least place in the ribbons?
It’s not specifically the function that the dog must fulfill
which I am somewhat critical of, I added this part to the
definition in order the seller of the dog is held accountable.
By making the seller define the capabilities of the show dog
they are selling , it forces them to be more selective in what
they call a show dog since it must also accomplish a function.
We all know there are politics in the show ring which make it
easy for some, tough for others to finish a dog. Included with
this political complexity are the dogs which are excellent and
finish fast, dogs which need mercy from the judges and a gray
area wherein a dog has been campaigned for a long time, even
years and just doesn’t seem to finish. Why?
The problem lies most likely because this type of dog has some
major problem ie: structural, type fault , or perhaps it just
has a lack luster performance in the ring (conditions #2,#3,or #
4). Either way, the owner spends a great deal of money, time and
doesn’t get what they bargained for.
What does the owner do when this happens? Unfortunately they
can’t do very much unless a definition of a show dog was
specified in the contract.
I have seen this scenario occur time after time. A person buys a
dog from a breeder in good faith, pays $1,500.00 - $2,500.00 for
the dog and it never ever gets a ribbon, yet in the contract it
was specified a show dog. Without the exact meaning of what the
breeder calls a show dog, much is left to mere interpretation as
a subjectivity call by the breeder. Who can argue with an
opinion? I once asked a breeder what he called a show dog after
reading his contract of sale, he replied, to my amazement, "any
dog that has no disqualifying faults is a show dog". That would
be equivalent to saying "all cars are race cars as long as they
have 4 wheels and an engine".
Most of us have seen dogs in the show ring, which by the lowest
of standards, just makes the grade (personally these types
should be excused from the ring for lack of merit) hardly what I
would call a show dog.
Fortunately for me being involved with the Rottweiler and dogs
in general for many years, puts me in an advantageous position
when choosing a new prospective show dog. I know what qualities
are necessary to make that caliber of dog. My expectations are
high, but the expectations of the novice may not be, therefore
it would be easy to sell a show prospect to someone who’s
criteria is limited.
6. Has balance
Balance, a term I hear so seldom these days is ultimately
important to a show dog. As in part 2 of the definition, I
mentioned singular attributes of type which some dogs possessed
ie: spectacular heads, super top lines, great movement. I would
like to define "balance" as an overall harmonious symmetry which
a dog exhibits. A dog which when all parts are considered relate
to each other in correct proportions, producing symmetry.
Dr. Alvin Grossman makes an interesting point on this by saying
in his book the Standard Book of Dog Breeding (Doral
Publishing):
"Far too many breeders seem overly concerned with the individual
parts of the dog. Many breeders subconsciously feel that when
they know, to their own satisfaction, what a good head is, what
a good front is, what constitutes good neck and shoulders, what
a well-angulated rear looks like, etc., that there is nothing
more for them to learn. The concept of relating the various
parts of the dog to each other and viewing this relationship as
a whole, rather than as a series of individual good or bad
traits, is the key that so many breeders never grasp."
There have been some very good examples of this concept in show
dogs which were not outstanding in any singular area, but did
possess a balance in relation to themselves. This balance
propelled them further in the competition because of their
unique symmetry whereas so many other dogs are no more than
"dogs of different parts", as one my mentors would say. In these
less fortunate dogs the different parts if critiqued separately
were good, but because they were so poorly matched in the sum
total of the dog they can not attain symmetry.
An area which has become very prominent as an example of this
mismatch is angulation. So many dogs are well angulated in the
front but poorly angulated in the rear, or vice versa (this is a
problem I see in many Rottweilers in the show ring at present).
A harmoniously built dog where angulation is equal front and
rear is becoming more and more rare.
Objectivity is essential when selecting a dog for competition,
since ultimately the judgment of your show dog is rendered on an
objective basis. By using "definition of a show dog" as a
template, objectivity can be applied in evaluating the dog the
same way a judge does . Whether it is used as a tool for grading
a litter or buying a prospective show pup or adult, it can
eliminate the temptation of measuring the dog on an emotional
level and getting stuck with a dog that was really not equipped
for the show ring.
BY STEVE WOLFSON -
www.canineworkshop.com